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Six things "The game of the thrones" can learn from the finals of past series



"The Sopranos," the latest drama of the HBO, which expands these heights, created a tremendous amount. The real watershed may have been "Lost", where producers announced the date of completion much beforehand, then wrote to the culmination that many (including this critic) were disappointing.

t the set of finals following this scheme, since producers take control of the story, and the networks allow them to complete their history. They range from pleasure and finesse ("Breaking Bad") to the more mysterious ("Mad Men") to just "bad" ("Dexter"), leaving critics and spectators to discuss and disagree.

These finals, it's worth noting that it reflects the modern era, although the television set out to be released from "The Fugitive" to "MASH", "St. Elsewhere" to "Six Feet Under", "Newhart" to " Seinfeld ", to days of arc to some

What can the producers of" The Game of the Thrones "- and in this respect" The Big Bang Theory ", which signs Thursday ̵

1; to learn from this story? Here are some things to keep in mind, recognizing that some of the criticisms that the show has received this season may be following these violations of these recommendations:

Honor what you have already done. the exhibition is over, it does not have to completely exit the left margin, or even worse, to blast everything that viewers enjoyed bringing it to it. The presence of a key player that does something completely out of character may be unexpected – the authors of the attributes tend to pause – but it risks selling what they spent years of installing

Cryptic may be good, but closing is better. Ultimately, leaving the door open to the viewer to call or interpret their own endings, feels like a case – like a book without the last chapter. This is your story, not ours, so finish it. And if nobody can figure out what happened without reading your posthumous interviews, you're spoiled.

Be quick, but do not hurry. Well, it's kidnapped by John Woods's Pyramid Basketball's legendary basketball coach, but it's equally well suited for television. There is a tendency to climb through scenes and characters that can easily feel compelled. Given the luxury that has time to build to the end, do not wait until you see the finish line before turning the jets.

It is not necessary to pin each free end. Specially for large ensemble shows, it can easily become problematic, trying to give an exclamation point for each character. Think about what's fundamental to the show, and finish it. Hanging threads can cause irritation, but when they are tapped, everything works only if it's organic for greater gain.

Treat it as if it was finished, even if it did not end. Considering the value invested in these properties, the chances that the studios allow them to lie, are quite asleep, are negligible, with all the restart, vacation and rebirth. Do not worry about it. If someone decides in a matter of years that "The Big Bang Theory" or "The Daughter of the Dragons" is their headache.

Accept that you can not please everyone. what will be the second guess, partly because many viewers and critics tend to come up with their own scenarios that will be the appropriate ending. Understand that each twist will be discussed and analyzed, and then talk about the second wave of web traffic.

In other words, clearly tell the story you wanted to tell, and then do not read the comments.


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