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One of the most amazing films of Robert Rodriguez to Allyth: Battle Angel on Netflix



There are so many streaming options available these days and so many controversial recommendations that it's hard to see all the crap you can observe. Every day, Column & # 39; & # 39; Cut the Crap & # 39; & # 39; Simplifies the choice by sorting out a huge number of movies and TV shows on subscription services and recommending one perfect thing to watch this weekend.

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From twilight to dawn The gangster / vampire picture of 1996 by director Robert Rodriguez with the script by Quentin Tarantino, with the story of Robert R. Kurtzman's mistress. Tarantino and George Clooney costar as Gecko brothers, two cold-blooded murderers and fugitive robbers of banks that capture RV and make good Christian seven, Fuller (from Harvey Keitel as Dad and Juliet Lewis as daughter of a teenager ), across the border to Mexico. Although Geckos is waiting in a noisy strip club for a man who should hide them from the law, they find that the bar is infected with blood demons.

Why watch now?

Because Alita: (finally) arrives at the cinema this weekend.

In the development since the early 2000s, the film-adaptation of the manga series Yukito Kishiro was originally intended to be directed by James Cameron before he was torn off from Avatar and his still quite theoretical continuation. Cameron hired Robert Rodriguez to simplify his script and remove it, and production actually wrapped up in February 2017. Two years have since been spent on improving digital effects to create the illusion of a realistic cyborg (played by Rosa Salazar), interacting with people and other human / car hybrids in the collapse of the 26th century.

When Alita: Battle Angel opens this weekend, it will be Rodriguez's first full feature film since 2014 Sin City: Damn to score for . This is a long time between projects on the big screen for a film director who directed 18 films between 1992 and 2014. Rodriguez made her for the first time since 1992, El Mariachi a stylish revenge-thriller that was shot for a penny. Mexico. In the following decades he mainly worked on films that he also wrote and produced, from dirty B films like Machete to family pricing for special effects like Spy Kids to a more experimental genre of pieces , as Sin City and Planet Terror .

Rodriguez had his share of unexpected hits and expensive flops. He also devoted much time to his support of the cinema in Texas and the industry. Throughout his career, he was a supporter of the DIY principles, urging filmmakers to simply take the camera and go to it, and not wait for someone else's money or permission.

This said, reveals the differences between Tarantino – which is obsessed with "garbage cinema", but is looking for ways to raise it – and Rodriguez, who is quite happy, doing pride scornfully. The first half From dusk to dawn feels very similar to the work of a person who still rides high on success Tank Tank and Chikanya . He is full of long scenes of dialogue, studying Fuller's tragic past and the relationship between the penetrating Seth Gecko (Clooney) and his unsuccessful brother, Richie (Tarantino). After the vampires come out, Rodriguez enters and carries a shamelessly bloody drive in a movie featuring widespread guest appearances by veterinarians Tom Savin and Fred Williamson.


Photo: Lionsgate

Forcible Indie Films of the 1990s and Tex-Mex Pop Culture.

When Reservoir Dogs debuted at Sundance in 1992, it marked the arrival of a new voice in American cinema that combines the influence of bookstores from the 1950s, European films of the new wave of the 1960s, television 1970 -h and the 1980s theater. By the end of the decade, almost a month had not passed without another movie that could be called Tarantino-esque, including some that he wrote or rewrote in the early 1990s when almost every Hollywood producer wanted to work with him. From dusk to dawn actually arose as a scenario of the previous dogs that Kurtzman hired him to write, which later became a hot mail property . 19659015] Thus, the film feels a lot of its time and it is bound to cause some nostalgic feelings for those who were in the multiplex every weekend in the 1990s. Only a magnificent opening scene – almost a separate sketch contained in a convenient store, where there is a heated conversation between secretary John Hawks and the Texas Ranger played by Michael Parks – presents a "tarantine touch" in the best form, at first senseless

nevertheless , as Rodriguez did throughout his entire career, he also puts his stamp on From Twilight to dawn as Texas and Mexican-American. He fills actors with actors with Mexican backgrounds, including Danny Trejo, Chicha Marina and Salmu Hayek (playing the seductive Santarino Pandemonium vampire stripper), and he puts out an entire show on the soundtrack with the music of Texas blues rock gods ZZ Top and brothers Vaughan. It was this dependence on his own instincts and tastes that led Rodriguez to such a long, fruitful car. He wants to work quickly and from the intestines.

Where to see him

Netflix. The service also has all three seasons from the twilight to dawn television series (Rodriguez directed seven episodes), and several films by Tarantino, including Cellulose Fiction and both volumes Kill Bill .


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